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23rd September 2014

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exponline1:

beeple:

DIEC.UT

exponline1:

beeple:

DIEC.UT

(via tempohouse)

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22nd September 2014

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"I overcame myself, the sufferer; I carried my own ashes to the mountains; I invented a brighter flame for myself."
- Friedrich Nietzsche (via tempohouse)

(Source: vijara, via tempohouse)

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06th September 2014

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The Origins of the Paths: A Parable

setemheb:

image



Long ago, one of the fundamental experiences of humanity was that of living around a central fire with relatives and trusted associates. This is no longer the case but we still hold the mark of this formative experience. Around the fire was warmth, light, and community. Beyond it was a…

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28th August 2014

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Sparks: Differentiating Objective and Subjective

setemheb:

(original image from Michael Kloran http://www.kloran.com/ )

As mentioned previously, one of the core distinctions within the Setian Theory of the Universe is that between objective and subjective. This is not unique to us, as this topic has been a signification feature in Western Philosophy….

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15th August 2014

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My kit-kit Astra!

My kit-kit Astra!

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11th July 2014

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Sak Yant or Yantra Tattooing are  believed to give the wearer magic powers associated with healing, luck, strength, and protection against evil.

You can get these here in thailand by a monk, they look beautiful but I’d never recommend it. Essentially, you’re making a pact with a spirit to protect you in exchange for sacrificing an activity or habit you may have previously enjoyed (the monk decides what this is, not you). These tattoos are contracts. 
 Breaking your side of the bargain may encourage the spirit to ‘punish’ you, and these contracts are not easily voided. 

(Source: gn-a, via nymphamos-the-mad)

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neurommancer:

B E E P - B O O P

neurommancer:

B E E P - B O O P

(via huneceaulage)

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stillalivedoingscience:

Reality is a story the mind tells itself.
An artificial structure conjured into being by the calcium ion exchange of a million synaptic firings.
A truth so strange it can only be lied into existence.
And our minds can lie. Never doubt it…

this is like my favorite page hhhh

(Source: badassium, via nymphamos-the-mad)

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08th July 2014

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"It is not what you do not know that is the problem, but what you think you know that is not so."
- Wyatt Woodsmall, PhD (via setemheb)

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29th May 2014

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science-gifs:

Levitating Superconductor on a Möbius strip [video]

h/t hilker

(via freshphotons)

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echoesfromtheruins:

whaat:

Hell is miles and miles of tangled telecommunication cables and the faint promise of order.

and the faint promise of connection with others

echoesfromtheruins:

whaat:

Hell is miles and miles of tangled telecommunication cables and the faint promise of order.

and the faint promise of connection with others

(via hackr)

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(Source: fuckyeahcyber-punk, via hackr)

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cross-connect:

The Wonderful and Unique Work of Jon Jacobsen

From my perspective, daily life lies between the real world and fantasy. This duality crystalizes so naturally that it looks imperceptible for us: we live in the present without being conscious of it until something happens and breaks this state. This triggers emotions that confirm the coexistence between reality and fantasy in the everyday world.

My creative process starts with the observation of an event that shatters this duality, thus giving me the conceptual base for what in the future will be an image. From this framework, I start creating symbolic relations which are necessary to build a visual metaphor which will bring a first sketch. Nevertheless, my creative process does not respond to any linear sequence, but rather to a come and go between the creator and the artwork.

The photographic language does not capture the reality I want to show in my work. To fill this gap, I mix digital techniques that expand the semiotics of the image, to the point of merging fantasy with reality. This combination of techniques makes my work more diverse and this allows, in a certain way, to reinvent each new project.

Finally, the guidelines that lead my work consist of portraits and self-portraits because, on the one hand, I’m interested to express in an image the vulnerability of human beings facing their surroundings and themselves; and on the other hand, through self-portraiture I represent the inexorable passing of time and how each character inside my image blurs out the limits of their bodies as to, in a horizontal relation, be part of the whole.

Selected and Posted by Andrew

(Source: crossconnectmag, via nihilisme)

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